Can journalists trust the public?

I don’t know about you, but I get heart­ily sick of people whin­ing on about the media — its fail­ings, its mis-reporting, its bias. I spent most of my life try­ing to interest people in the events of the world around them. Some of those I worked with died try­ing to do the same. All for people who’d rather play Grand Theft Auto. Or go shop­ping. Or look after eld­erly relatives.

OK, so it’s easy to paint the world in primary col­ours.

Still, just for a moment wouldn’t you like to turn a hose on the audi­ence? Roll up the paper and swipe the readers?

Alas, those stones we howl at every even­ing news­cast would flip chan­nels even if heaven’s vault had cracked.

So, for­get the sign off — the last line of every story should be: “Remem­ber you don’t care.”

Just kid­ding. Happy April 1st.

Five News

Five news is ten years old, and I was there at the begin­ning. To any­one who doesn’t know why news anchors now stand up…well, we made it semi-respectable. Most of our innov­a­tions were the res­ult of the tiny budget allowed for Britain’s fifth and final ter­restrial channel.

We had a young, multi-skilled news­room, before digital had even replaced ana­logue. We decon­struc­ted graph­ics (once using Play­mobil® char­ac­ters to illus­trate the impact of the Government’s budget pro­pos­als), out­sourced fea­tures (to young pro­du­cers like Dan Cham­bers), and got very lucky with our news anchor. Greg Dyke reviewed our pilot and told us to cut the fea­tures slot in half (which was the right call) but which meant los­ing cur­rent affairs minutage and resourcing another 3–4 minutes worth of con­tent per show.

Among the senior news execs cut­ting their teeth on Five were Deborah Turness, now helm­ing ITV News, Craig Oliver — now edit­ing the BBC 10pm and Jon Wil­li­ams, run­ning the corporation’s inter­na­tional news. It didn’t too much harm the career pro­spects of Tim Gar­dam — the con­trol­ler — who com­bined an admir­ably light touch with a brow so high he could deliver a skull-shattering intel­lec­tual head­butt to any­one temp­ted to sneer.

My old boss Gary Rogers who picked up the reins from Chris Shaw, now advises every­one who needs to know on how to set up lean, mean news oper­a­tions the world over.

ITV, Chan­nel 4, BBC and Sky’s main bul­let­ins are dir­ec­ted by people who learned their gal­lery skills on Five’s updates.

ITV and BBC news­gath­er­ing have edit­ors who learned their trade using ima­gin­a­tion and not much else to cover national and inter­na­tional news. Garden­ing makeover shows and gritty invest­ig­a­tions are dir­ec­ted and filmed by one­time producers.

A couple of Chan­nel 4’s best cam­era­men first picked up PD150s for us. We called them cam­era pro­du­cers, for union reasons.

Five’s report­ers are at Al Jaz­eera Eng­lish, CNN Inter­na­tional, BBC News, Chan­nel 4 News, Sky News, and ITV — some are still with five. Between them they helped change the way tele­vi­sion reports look and sound — not always for the bet­ter, and usu­ally for reas­ons of economy.

They’re even in polit­ics — John Reid’s spe­cial adviser was once a humble junior pro­du­cer on Five. Don’t blame us.

What did I get? Great free­dom, great friends and great…financial chal­lenges. Well, you can’t have everything.

The best line on journalism…

My old favour­ite pro­fes­sional aph­or­ism is this: a journalist’s duty is to betray. It neatly and bit­terly encap­su­lates the moral, emo­tional and intel­lec­tual prob­lems of report­ing. But it’s not a tag to be repeated with pride, more of a dirty indus­trial secret.

Last night Mohamed Chebaro, of Al Arabiya and a vet­eran of inter­na­tional news report­ing, came up with my new favour­ite line: a journalist’s loy­alty is to their inform­a­tion. A major chord replaces a minor.

Mohamed was speak­ing at a debate I was for­tu­nate enough to chair at City Uni­ver­sity last night titled Journ­al­ism and the Middle East: Free Speech or Pro­pa­ganda? — an event made pos­sible by a lady called Joan Tully.

On the panel too:

Stu­dents from City (some drawn from the region) and the New­house School at Syra­cuse Uni­ver­sity heard:

  1. A strong endorse­ment of the pos­it­ive role played by Israel’s media in Israeli soci­ety from the Arab media
  2. An optim­ism about the role of journ­al­ism in open­ing up debate across the region
  3. An appre­ci­ation of the secur­ity threats to press freedom
  4. An aware­ness of the respons­ib­il­ity of the pub­lic to attend to report­ing from the region

And much, much more besides…

The best of British journalism

There is a strange­ness about the Brit­ish press — the news­pa­pers go from pon­der­ous ana­lysis to pure enter­tain­ment and they bring the tech­niques of journ­al­ism to bear on all of that con­tent. But, at the Brit­ish Press Awards, there was some out­stand­ing journ­al­ism on dis­play. To invi­di­ously name just three of the winners:

Still, there were no online awards, and as host and TV news anchor, Jon Snow, poin­ted out — isn’t the press the media now? How many people in the audi­ence, he asked, had come from pod­cast­ing and video-editing? To be fair, not many. Can the day be long nigh when these awards con­verge with others!

(Incid­ent­ally, the base­ment ball­room at the awards venue was a cell­phone black­spot which left even diehard Twit­ter fans feel­ing like…well Twatters.)

10,000 visits

And now some news about this blog — since Novem­ber 6th 2006 when I switched on site­meter, this site has clocked up 10,000 visitors.

Thanks to every­one who’s stopped by. I’m not a volume per­son, I’m a qual­ity per­son, and I sense that read­ing this you’re a kind, intel­li­gent, thought­ful indi­vidual with good per­sonal hygiene and high dis­pos­able income.

Now, if you buy a copy of Crunch Time: How Every­day Life Is Killing The Future when it comes out I’ll be even more grate­ful. (And so will my Aus­sie pal and co-writer Mike Han­ley.) I might even post a pic­ture of myself weep­ing tears of grat­it­ude — if I can mas­ter the neces­sary Pho­toshop skills.

Incid­ent­ally a pro­pos noth­ing (except rat­ings) I just wanted to throw in my own favour­ite quote from drily ironic pop loon Julian Cope:

I refused to appear on Top of the Pops in the 1980s. It was my protest against hav­ing hits.