Creative destruction

When we fol­low through the his­tory of par­tic­u­lar indus­tries and see new skills arise as old ones decline, it is pos­sible to for­get that the old skill and the new almost always were the per­quis­ite of dif­fer­ent people… Even where an old skill was replaced by a new pro­cess requir­ing equal or greater skill, we rarely find the same work­ers trans­ferred from one to another… The rewards of the “march of pro­gress” always seemed to be gathered by someone else.

E.P. Thompson, The Mak­ing of the Eng­lish Work­ing Class

More than thirty years have passed since my father was vis­ited by the first of sev­eral stretches of unem­ploy­ment that were to haunt his life, and the lives of those who loved him.

He was a trav­el­ling tim­ber sales­man — the Willy Loman of a work­shop world that still ran on thick and tight-grained boards, fra­gile and exotic ven­eers, the seasoned planks and beams that were his stock in trade.

Self-educated, his book­shelf held the nov­els of Alistair McLean and Isaac Asimov along­side Vance Pack­ard’s The Hid­den Per­suaders, J.A.C. Brown’s Tech­niques of Per­sua­sion, Dale Carnegie’s How To Win Friends and Influ­ence People.

His psy­cho­logy of selling would be shared with me on long drives between boat yards and build­ing sites, the work­shops of the cus­tom­ers for whom he was also listener and entertainer.

But changes in the psy­cho­logy of selling did not des­troy his live­li­hood. The makers of repro­duc­tion fur­niture fol­ded. Fibre­glass replaced well-varnished tim­bers in the boat­yards. The eco­nom­ics of busi­ness con­sol­id­a­tion elim­in­ated the need for com­pet­ing sales teams. Tech­no­logy, com­pet­i­tion, and demo­graphy made him redundant.

My father’s exper­i­ence of unem­ploy­ment in the early 1980s was hardly unique, but it was singular.

Laid off tim­ber reps were not heroic enough to myth­o­lo­gised as labour­ers, nor skilled enough to write their own legend and embalm their mis­for­tune with sen­ti­ment­al­ity and social significance.

But when we talk about the cre­at­ive destruc­tion of cre­at­ive indus­tries like journ­al­ism, there is a human cost, and — like my father — it’s lonely and eas­ily forgotten.

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