{"id":551,"date":"2007-07-31T07:47:00","date_gmt":"2007-07-31T13:47:00","guid":{"rendered":"http:\/\/adrianmonck.com\/?p=551"},"modified":"2007-07-31T07:47:00","modified_gmt":"2007-07-31T13:47:00","slug":"a-is-for-alzheimers-f-is-for-fake","status":"publish","type":"post","link":"https:\/\/adrianmonck.com\/about\/2007\/07\/a-is-for-alzheimers-f-is-for-fake\/","title":{"rendered":"A is for Alzheimers, F is for Fake"},"content":{"rendered":"<p><span class=\"dropcaps\">P<\/span><span style=\"font-weight: bold;\">aul Watson<\/span> first brought Britain docu-soap in 1974 with a twelve part series, <span style=\"font-style: italic; font-weight: bold;\">The Family<\/span>. He also made Aussie-based titillater <span style=\"font-style: italic; font-weight: bold;\">Sylvania Waters<\/span>. His latest film, <span style=\"font-weight: bold; font-style: italic;\">Malcolm &#038; Barbara: Love\u2019s farewell<\/span>, is an altogether more sober affair about a marriage ending as husband Malcolm dies of complications arising from Alzheimers.<\/p>\n<p><span style=\"font-weight: bold;\">ITV<\/span> will air it on August 8th, and (according to the <a style=\"font-style: italic; font-weight: bold;\" href=\"http:\/\/www.telegraph.co.uk\/news\/main.jhtml?xml=\/news\/2007\/07\/31\/nitv131.xml\">Telegraph<\/a>) their publicity claimed the documentary \u201cends when Barbara calls Paul to ask him to come as Malcolm is about to die &#8230; In moving scenes, Malcolm is surrounded by his family and Barbara strokes his head as he passes away.\u201d<br \/><span id=\"fullpost\"><br \/>The <a style=\"font-weight: bold; font-style: italic;\" href=\"http:\/\/media.guardian.co.uk\/site\/story\/0,,2138601,00.html?gusrc=rss&#038;feed=networkfront\" target=\"_blank\">Guardian<\/a> takes up the story: <\/p>\n<blockquote><p>After the press screening on July 18, journalists were left with the impression that the scene ended with the filming of his moment of death, as the shot froze on Mr Pointon\u2019s still face.<\/p>\n<p>However, it is now understood that this footage of Mr Pointon slipping into a coma, with the rest of his grieving family around his bedside, was filmed two and a half days before his death.<\/p>\n<p>Mr Shaps [ITV Director of Programmes] today said: \u201cThe film maker responsible, Paul Watson, has now confirmed that the film does not portray the moment of Malcolm&#8217;s passing, which was in fact some days later.<\/p>\n<p>\u201cThis will be made clear at the end of the film on transmission and should have been made clear earlier.\u201d<\/p><\/blockquote>\n<p>How did this come to light? Well, in a glorious piece of moralising commentary prompted by the selling of the film, <a style=\"font-weight: bold;\" href=\"http:\/\/www.timesonline.co.uk\/tol\/comment\/columnists\/minette_marrin\/article2159218.ece\">Minette Marrin<\/a> unleashed a sermon on the fearfulness of death, which led to Pointon\u2019s brother Graham writing to set her straight, as you can see below.<\/p>\n<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/bp3.blogger.com\/_7FX8PyQEiZw\/Rq9Npn4UgrI\/AAAAAAAAAGs\/wtMF4W9Gv7E\/s1600-h\/Times+Online.jpeg\"><\/a><\/p>\n<p>So what do we make of Watson? Back in 1995 he told the <a style=\"font-weight: bold; font-style: italic;\" href=\"http:\/\/findarticles.com\/p\/articles\/mi_qn4158\/is_19951110\/ai_n14017133\" target=\"_blank\">Independent<\/a>: <\/p>\n<blockquote><p>People accuse me of manipulation and I admit to manipulation &#8211; in the cutting-room. It\u2019s called editing. If you shoot 10 shots, what do you do? You exercise prejudice, passion, certain proclivities. You build up an authored view. Hydrogen and oxygen on their own are boring, inert gases. Whack them together and who\u2019d have thought they\u2019d make this thing we all need called water? I\u2019m interested in putting the essence of something in a sequence.<\/p>\n<p>I\u2019m a devious, subversive, difficult sod of a film-maker, because now I know my craft skills so well I can make people five days later feel the hidden agenda to a film. Hidden agenda sounds so Machiavellian, but it isn\u2019t.<\/p><\/blockquote>\n<p>I would guess that Watson thinks that Alzheimers is important, that the only way to get attention for the story was through a gimmick (death on camera), and that everyone concerned thought the film\u2019s message about the disease and its consequences more important than the death itself. Once again, it is the selling of a film that seems to mislead.<\/p>\n<p>And now Malcolm Pointon\u2019s passing, having been grist to the mill of TV\u2019s death- depicting insensitivity, is reground at the stone of TV fakery. And Paul Watson is a latterday <a href=\"http:\/\/en.wikipedia.org\/wiki\/Clifford_Irving\" target=\"_blank\"><span style=\"font-weight: bold;\">Clifford Irving<\/span><\/a>.<\/p>\n<p>And meanwhile &#8211; somewhere out there &#8211; Minette Marrin rolls up another half-understood tragedy and prepares to discharge another cannonade.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paul Watson first brought Britain docu-soap in 1974 with a twelve part series, The Family. He also made Aussie-based titillater Sylvania Waters. His latest film, Malcolm &#038; Barbara: Love\u2019s farewell, is an altogether more sober affair about a marriage ending as husband Malcolm dies of complications arising from Alzheimers. ITV will air it on August [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","footnotes":""},"categories":[],"tags":[25,275],"class_list":["post-551","post","type-post","status-publish","format-standard","hentry","tag-itv","tag-trust"],"_links":{"self":[{"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/posts\/551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/comments?post=551"}],"version-history":[{"count":0,"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/posts\/551\/revisions"}],"wp:attachment":[{"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/media?parent=551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/categories?post=551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/adrianmonck.com\/about\/wp-json\/wp\/v2\/tags?post=551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}